In-situ moulding
Brush-on silicone and a rigid mother mould, taken from scaffold.
What we make › Heritage restoration moulds › Cornice restoration
Heritage restoration moulds · Cornice restoration
Silicone moulds taken in situ or on the bench from a surviving cornice section, so lost runs can be cast to match in cast stone, GRC or plaster.
Overview

Cornices fail in sections: frost, water ingress, corroded fixings. Usually enough survives to mould from, and the lost runs can be reinstated to match.
We mould the survivor, make good on the mould where the conservation team agrees, and build production tooling for the caster.
What sets it apart
Brush-on silicone and a rigid mother mould, taken from scaffold.
Poured silicone around a salvaged section for maximum fidelity.
Internal and external corner pieces moulded or built from the straight run.
Cast stone, GRC or fibrous plaster — the mould suits the caster.
How we build it
We agree a written methodology first: how the original is protected, whether loss is made good on the mould, and how trial casts are approved.
The production mould is sized to the caster's preferred length, with ends designed for clean butt joints.
Corner returns are often the hardest part. Where no original corner survives, we build it from the straight profile and get it approved as a pattern.

The honest bit
Profile is easy to reproduce. Weathering and surface are harder. We always recommend site trials in daylight before committing to production.
At a glance
How a two-part mould fits together
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From sample to finished cast
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FAQs
It shouldn't be. We use a barrier and test first, and the method statement sets out protection.
No, we make the moulds. We can recommend casters if needed.
In this family
Get in touch
One photograph tells us what surface you're chasing, and one line about the mix tells us what silicone or polyurethane will survive it.
Real people, a real workshop
No call centre and no middlemen. When you contact TCI Construction, you speak to the team who design, build and check your mould.


Thomas LaneManaging Director
George PrestonDesign & Project Manager
Kelly BallingerHead of Partnerships
Jim AndertonProduction Manager
TheodoreEmployee Welfare