Bidford-on-Avon, Warwickshire. Mon to Fri.01789 224228

For cast-stone workshops · Georgian dressed-stone specialists

Tooling for cast-stone workshops that live off the arris.

Cills, keystones, quoins, string courses, finials and Georgian dressed-stone reproductions. Silicone tooling of the right hardness to hold a sharp arris, with the split lines placed where the finished piece is never inspected closely.

SharpArris
SplitPlaced
ReplacementsMatched
UKMade

What matters to you

What matters in cast-stone tooling.

Silicone mould cavities and cast sample showing sharp stone arrises
Tooling set up to protect visible edges

Silicone hardness chosen for the arris. Cast-stone pieces live and die by the sharpness of the edge. Firmer silicone holds the arris longer at the cost of some flex; softer silicone flexes past undercuts at the cost of arris life. Choosing the right point on the curve for your pieces is the first job.

Split lines placed where the parting mark falls out of sight. On a cill that's usually the back or the underside. On a keystone it's the return. On a quoin it's the internal face. Never on the visible face.

Pattern accuracy. A pattern that's soft, out of square, or slightly wrong in the profile gives you moulds that are all subtly wrong forever. We spend proper time on the pattern before committing to the silicone.

Replacement matching. Cast-stone workshops run programmes for years. Replacement moulds have to match, so the batch cast last year and the batch cast this year look like one production. Drawing, pattern and material spec stay on our file.

How your work looks

Three shapes of work cast-stone workshops bring us.

01

Repeat runs of dressed pieces

Cill runs, quoin runs, string courses. The same shape repeated dozens of times. Firmer silicone for the arris, polyurethane sometimes for very long runs on simple sections.

02

One-off heritage reproductions

A single Georgian keystone or finial for a listed reinstatement. Silicone from a surviving sample, pattern rebuilt where necessary.

03

Bespoke new work

A designer-specified cast-stone piece that doesn't exist yet. Pattern from a drawing, sample cast for approval, then the mould.

Cill run, heritage keystone copy and bespoke cast-stone piece
Typical cast-stone work made from different tooling routes

Services that fit

Services this sector reaches for most often.

Cast stone moulds

The main service for dressed-stone work.

Read more

Heritage restoration moulds

Where cast stone is used for heritage replication.

Read more

Master patterns and scanning

Pattern making from drawings or existing sections.

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Custom texture and relief

For dressed faces with specific texture requirements.

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Replacement formliners

Matched replacements for retiring tools.

Read more

Mould durability and release

Specifying for the pour count you actually need.

Read more

How the first conversation goes

How cast-stone jobs start with us.

A drawing or a rubbing of the profile, a photograph of the finished face texture, and a rough weekly piece count. That's enough to spec the mould.

For heritage reproductions, send us the surviving section — either physically or as clear photographs with a rule in shot. We can build the pattern from either.

We come back the same working day with a route recommendation, a silicone grade, and an honest rough number. If we think the profile needs adjusting to demould reliably, we'll show you what change and why.

Machined master pattern for a dressed-stone cill on a workshop bench.

At a glance

The idea in a picture.

How a two-part mould fits together

Pour spoutAir ventSplit lineYour part in the cavityFlexible siliconeRigidmother mould

Swipe to see the whole diagram

The silicone holds the detail, the rigid case keeps it true, and the split line lets the part come out without tearing.

FAQs

Questions we hear from this sector.

What silicone hardness do you spec for cast-stone work?

Firmer than for decorative work, softer than for heavy industrial. The exact number depends on the piece — we'll say per job, and we'll explain why.

How many pieces can I expect from a cast-stone silicone mould?

For a repeat cill or quoin section, well into three figures on plain OPC mixes. Coloured or pigmented mixes shorten it. We give a range per job.

Do you supply moulds for hand-rammed cast stone as well as cast?

Yes. Hand-rammed pieces need slightly softer silicone (more forgiving on demould) but with a firm mother mould to hold shape under ramming pressure.

Can we get a matching mould for a piece we already cast?

Yes. Send us a sample of the piece and we'll pattern from it. The new mould will match the old one, so the run continues cleanly.

What about tooling for very long string courses?

String courses are often cast in modular sections — 1 to 2 metre lengths — with the joint lines placed where they read as expansion joints or coursing breaks. We plan those with you.

Get in touch

Send us a photograph of the panel or the elevation.

One photograph tells us what surface you're chasing, and one line about the mix tells us what silicone or polyurethane will survive it.

Real people, a real workshop

You deal with the people who make it.

No call centre and no middlemen. When you contact TCI Construction, you speak to the team who design, build and check your mould.

  • A real Warwickshire workshopUnit 15, Waterloo Park, Bidford-on-Avon, Alcester B50 4JG.
  • Real people on the phoneCall the team on 01789 224228, Monday to Friday.
  • The same team on every jobDesign, production and aftercare come from the people you see here.
  • Part of TCI GroupFive specialist brands, one engineering team. Visit TCI Group.
The TCI design and project office.
The TCI design and project office.
The TCI workshop, with moulds on the bench mid-build.
The TCI workshop, with moulds on the bench mid-build.
  • Thomas LaneManaging Director
  • George PrestonDesign & Project Manager
  • Kelly BallingerHead of Partnerships
  • Jim AndertonProduction Manager
  • TheodoreEmployee Welfare
Meet the team