Choosing between silicone and polyurethane for concrete
The short version: polyurethane is the workhorse for concrete, silicone earns its keep on fine detail and undercuts. The long version, with the reasoning, follows.
Read the guideTCI Construction · Knowledge
The knowledge hub is where we write down the questions we're asked most often. No marketing, no bluster — the honest technical answer, in language a yard manager or a specifying architect can use.
Why we write these

Ask any silicone supplier a technical question and you'll get a technical answer, in technical language, with technical numbers. That's fine if you're already a silicone specialist. It's less useful if you're a landscape yard manager who needs to know whether the tool will survive the mix you actually pour.
The guides on this page are written for the second reader. Same technical rigour underneath, but the language is plain and the recommendations are honest — including when we think a different route would suit the reader better than the one they've asked about.
All twelve
The short version: polyurethane is the workhorse for concrete, silicone earns its keep on fine detail and undercuts. The long version, with the reasoning, follows.
Read the guideThere's no magic pour-count number. What you get out of a formliner depends on your mix, your release, your handling, and your storage. Here's how to think about it honestly.
Read the guideThree things happen between pour and finished panel — release before, curing during, demoulding after. Get all three right and your tool life doubles.
Read the guideOne surviving cornice, finial or keystone is enough to rebuild an entire elevation of losses. Here's how the process works, in plain language.
Read the guideAn undercut you didn't intend costs you tool life, panel quality, or both. Here's how to spot them at design stage and design past them without losing the visual effect.
Read the guidePanels larger than a standard bed mean spliced tooling. Here's how to plan the splices so they're invisible on the panel, and how to handle a large tool without wrecking it.
Read the guideThe best custom textures come from an early, honest three-way conversation between the architect, the panel manufacturer and the mould maker. Here's how to run that conversation well.
Read the guideThe texture is what the architect sees. The mix is what the formliner has to survive. This guide walks through how each common mix type changes the material we'd reach for.
Read the guideHeritage reproduction is mostly planning. Get the methodology agreed early, and the mould-making and casting follow calmly. Leave it late, and every stage becomes a negotiation.
Read the guideEvery large tool has joints. The difference between a good elevation and a disappointing one is almost always where those joints were put — and whether anyone decided on purpose.
Read the guideThe first panel proves the texture. The two-hundredth proves the tooling plan. This guide covers how to get from one to the other without the elevation drifting.
Read the guideBoth come out of a mould. Both can look superb. But they're different materials, cast differently, and they ask different things of the tooling.
Read the guideWhat's not in the guides
You won't find a page here titled '10 tips to double your formliner life' or 'The complete guide to concrete mould design'. That kind of content is easy to write and almost always oversimplified.
What you'll find instead is guides on specific decisions and specific processes, each written to help a real reader make a real choice better. If a topic doesn't have enough honest content in it to fill a proper page, we don't write the page.

At a glance
Planning liners across a wall
Swipe to see the whole diagram
Get in touch
One photograph tells us what surface you're chasing, and one line about the mix tells us what silicone or polyurethane will survive it.
Real people, a real workshop
No call centre and no middlemen. When you contact TCI Construction, you speak to the team who design, build and check your mould.


Thomas LaneManaging Director
George PrestonDesign & Project Manager
Kelly BallingerHead of Partnerships
Jim AndertonProduction Manager
TheodoreEmployee Welfare